A Gilded Planet

5. Wu Massacre - Raekwon, Ghostface Killah & Method Man This cracks my top five for the album artwork alone. I got to see the Wu Tang Clan  live this year, and they were actually fairly underwhelming - all shouting over each other and sich. But Method Man is a beast and Ghostface Killah has an inimitable style, both of which made this album quite enjoyable. The three standout tracks are "It's That Wu Shit" along with "Our Dreams" and "Gunshowers" but the whole album has a brisk energetic tone to it which I dig. There's a big gap between this and the rest on my list, except for the album art where it matches or exceeds some of the other awesome album covers of this year. 4. Down There - Avey Tare Avey Tare of Animal Collective deploys some pretty groovyspooky beats and bleats on this record. I especially like "Ghost of Books" which has a fairly mesmerizing end refrain that I was repeating a lot with variations on a recent moun...

It occurs to me that in my last two betamax posts, I have made fairly showy references to two major rappers in a way that makes my love of hip hop rather conspicuous. It's true that I had a rather torrid affair with hip hop this summer. I discovered that Jay-Z is all of the following (using his words not mine): the "ruler,"  the "best-rapper-alive," an "American Gangster," a "black superhero," a "muhfuckin' renegade," as "real as it gets" (which is why they "feel him in the favelas in Brazil" since as you know "real recognize real"), made "from the cloth of the Kennedys" etcetera, etcetera. Here's a guy who apparently has the President of the United States "on the text" and is not afraid to tell the whole world about it. I have absolutely nothing in common with this giant who is from "the murder capital where [he] murders for capital" and yet I listen to his rhymes ...